![]() Though aerial-set sequences are minimal (save for the sporadic brief presence of planes accidentally dumping water on the lead characters), there's plenty of elements of Only the Brave that feel like they'd be right at home in a Top Gun movie. Steady wide shots are prominent in the set pieces in Kosinski blockbusters like Oblivion. Therefore, one should expect such a visual mainstay to return for Top Gun: Maverick. ![]() Oblivion cements that he prefers to shoot action scenes in a visually-spacious manner that allows viewers a chance to soak in all the imagery on-screen. ![]() Kosinski is not an action director who relies heavily on shaky-cam and similarly murky visual elements for action scenes. Meanwhile, the kinetic and careful direction Kosinski lent his debut directorial effort re-emerges in Oblivion. For one thing, like Tron: Legacy and the upcoming Top Gun sequel, Oblivion has a love for aerial chase and fight scenes. However, it isn't devoid of aspects likely to return in Kosinski's next project. Dick short story than movies involving beach volleyball, Joseph Kosinski's 2013 directorial effort Oblivion, on the surface, doesn't seem to have many elements that could re-emerge in Top Gun: Maverick. Being a twist-heavy science-fiction story more akin to a Philip K.
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